Dr Baz on Fusion Music

Dr Baz (Australian Musician & Musicologist) adds this to the collection of thoughts on fusion music.

Take it away Baz…

Dr Baz

Dr Baz

When I was asked about what Fusion Music is my musical brain immediately thought of Jazz Fusion…a genre of Jazz that was coined in the late sixties and seventies that described the way Miles Davis, Herbie Hancock, Joe Zawinul and other jazz heavyweights incorporated Funk and electronic musical instruments into improvised Jazz music. Think back to Miles Davis’s ‘Bitches Brew’ and Joe Zawinul’s Weather Report Muzak and you are in the ballpark about what Jazz Fusion sounds like.

It’s not the only fusion though.

In reality all music is fusion….every single style we know today as different types of Music is a coming together of different types of Music due to specific historical circumstances.

For example German classical composers combined European folk music to create their Symphonic master pieces.; Ancient Australian Indigenous Yidaki/Dijeridu Music is really derived from Indonesia; Indian Classical music has its roots in Persia and the Middle East.

The contemporary music of North and South America is a clear example of different fusions and the histories of Salsa Samba Rhumba Reggae Calypso Jazz Blues and more recently Hip Hop and Reggaeton can be clearly traced thanks to the well documented records we have of the historical development of these musical styles.

As human beings we like to put culture under glass….we like to freeze a musical recording in time and call it something…we relate our identity strongly to the music we like and then set up rules about the musics we don’t like according to our own tastes. We develop stereotypes: the black jazz man, the sexy Latino salsa band, the wild gypsy violinist – and start to make up rules about what is an authentic expression of these favored styles. We crave authentic musical experiences that relate to these self imposed definitions. And therein lay the dilemma….

One persons fusion is another person’s jazz…one person’s hip hop is another person’s pop music sellout.

For me as a musician and a musicologist who sees a direct relationship between the development of music and cultural histories, fusion music is where it’s at… it’s musicians from different cultures and backgrounds sharing their creative differences and jamming together to create something new. Whenever and wherever musicians can get together and jam new musical fusions are born.

Photo by Beaver on the Beats - Dr Baz, Musician & Musicologist - www.beaveronthebeats.com

So what is fusion music?

It is the hybrid musical styles that we can’t fit in our glass cased museum definitions. At various times in history its has been a gypsy guitarist performing with a African Drummer – or a rapper dropping rhymes in Korean and topping a billion views on YouTube – or a Slave providing a beat to a Spanish brass band on the docks of Havana in the 1600s.

Fusion music reflects the shifts in our collective musical consciousness and these shifts are in turn triggered by the wars, famines, slave trades and digital technology revolutions that shape history.

A fusion music used to serve an apprenticeship to an established style before being recognised as a style in its own right. The internet has changed all that. Today musical fusions are appearing so fast that the very concept of an identifiable musical style complete with similar rhythm harmony and instrumentation is under threat.

Dr Baz - Beaver on the Beats

So all music is fusion… it’s what I love about music as I will always encounter something new in this world.          

[me too Baz..Beaver]

DJs With Bands = Musical Diversity +++

Many of the fusion bands I have heard live in Colombia (and/or have on CD), have a DJ in the musical mix.   Those DJ’s play a fundamental part in the diversity of sounds created by the band as a whole.

Live music is the ultimate musical experience for me.

A great DJ to dance or listen to is also an awesome musical experience.

The 2 combined: DJ + a band = musical diversity +++, live.

A DJ can create any and as many different sounds as he/she wants yesMusicians can’t do the same thing with instruments, can they?

Combine the musicians and the DJ’s (+ of course emcees & vocalists), and you have complete musical freedom to be as diverse as you want yes? The sound possibilities are endless.

Or no? 

Add a VJ into the mix and you have visual diversity with the auditory yes?

Official sites of these groupsBajo Fondo – Bambarabanda – ChocQuibTown – Dubioza Kolektiv – Mitu – Papaya Republik – Pulenta – Sidestepper – Systema Solar – Troker – Zalama Crew

 

Reviews of gigs, sample music & other info about these groups by Beaver on the Beats @Bajo Fondo –  Bambarabanda –  ChocQuibTown – Dubioza Kolektiv –  Mitu –  Papaya Republik –  Pulenta –  Sidestepper –  Systema Solar –  Troker –  Zalama Crew

Fusion Music in Jamaica? “Nooooo way Mon”

A fusion music question at the Music Mart in Kingston, Jamaica

Beaver: Do you have any Jamaican music that’s a mix of reggae and other music genres?  Like jazz, or funk or hip hop?

Store Woman: Nooooooooooo.  You can’t mix reggae with other things.  Reggae is reggae.

Beaver: They do it in other countries, a lot.

Store Woman: Nooooooo way mon. Not here we don’t. Reggae is Reggae.

Beaver: Well lucky I love Reggae that’s Reggae.  Give me some of that.

Colombian Fusion Music – A Different Perspective

Is Colombian fusion music being created for the purpose of making Colombian music edible for foreigners?

A couple of people in Bogota have recently expressed those sentiments to me.

One of them is Julian Mosquera Muñoz, Operations Manager at Fundacion Gilberto Alzate Avendano in Bogota.

He says that for him, fusion music is:

  • Like a cheap handicraft to sell on the street rather than a unique, one of a kind piece of art. 
  • Ignorance of, and a form of shame about one’s own traditional music, instruments, beats and rhythms. Maybe the use of non-original instruments in fusion music is because artists lack the ability to create those sounds with traditional instruments.
  • A desperate way of getting new audiences for one’s music – of making one’s music ‘listenable’ for those who don’t know it – especially for foreigners.

Is there truth in that cynicism?  I like to think not, but who am I to say?  I am just a foreigner who loves Colombian fusion music!

I will leave you to ponder this perspective on Colombian fusion music, while I leave Colombia for a bit to explore what’s happening in Jamaican music.  Kingston first, then on to Montego Bay for Reggae Sumfest 2013. 🙂

Caribbean Waters - Beaver on the Beats

Electronic Fusion Music in Bogota is….

Diana Torres, Director of Fundación Cultural Arca, based in Bogota, says this about electronic fusion music in Bogota:

What we have found about fusion in electronic music in Bogota since we started ´Conectados´ (Connected) – a program of live electronic music concerts – is that it take us to the cultural heritage of local sounds of our culture and other cultures of the world, in a space and time where the artist and the audience connect with a universal language: THE SOUND.

Diana Torres - Director, Fundacion Cultural Arca

Colombian Fusion Music For The Minority – Lesson 2

Silly misconceived Beaver. How wrong I was.

Since my first trip to Colombia in 2007 I had thought that Colombia has a huge amount of fusion music – loved passionately by a huge number of Colombians. “Why wouldn’t it be?” I thought, “It’s so awesome”. Plus I had found lots of it, well maybe about 10 bands anyway – so I thought that there must be a lot more to be found, and that it must be very popular.

Apparently not so, as I have learned the past week in Bogota from speaking with some people in the know.

Talking with a Colombian Ethnomusicologist (Simon Calle) and three members of Colombian fusion music group Papaya Republik, I learned this…

  • Yes, there are more and more bands in Colombia creating fusion music.
  • Whereas once upon a time fusion bands were mostly found in the capital Bogota, they also exist in other major Colombian cities, more and more so – Medellin, Cali, Barranquilla, and even Pasto.
  • No, modern Colombian fusion bands are not really listened to or even well known by the mainstream population of Colombia. It is listened to by a minority of Colombians and is actually the ‘alternative’ music scene here.
  • The two biggest forms of popular music in Colombia are Vallenato and Reggeaton. The mainstream radio stations play pretty much only that. I don’t have much to say about Vallenato.  There is good and bad Vallenato music, and most of it is not to my taste.  I will however criticise the musical plague that is Reggeaton every chance I get.
  • The Colombian ‘alternative scene’ that enjoys fusion music bands consists of the “middle and upper classes” (Ethnomusicologist, Simon Calle), or the “Colombian intellectuals” (Batori from Papaya Republik).
Papaya Republik live

Batori – Papaya Republik

Well, surprised I was at this news about the popularity (or lack thereof) of Colombian fusion music.

In hindsight I guess my misconception was based on two things:

1. My own luck and circumstance in finding lots of fusion music on my first time in Colombia. My Colombian friends took me to gigs (they are not in lower socio-economic classes by the way) – and once I found some, I went looking for the rest.  I thought what I found must be a small portion of it, but now it seems it was actually a large % of all fusion music that existed.

2. My assumption that because I thought it was unique and awesome, everyone in Colombia must think that too! I forgot that when I look at most mainstream musical tastes everywhere around the world today, they are generally (I think) pretty shite.  It’s all subjective I guess.

 Disappointed at this news I was too…

*Disappointed for mainstream Colombians missing out on home grown unique and interesting music; and

*Disappointed for Colombian fusion music artists largely unappreciated (and unrewarded financially) in their own country.

I’m happy that Colombian fusion music exists.  I´m happy that I know about it.  I´m happy that I can share it.

I´ve already posted some, and will post more, rundowns and sample music of some contemporary Colombian fusion bands….Check them out and let me know what you think.  Is mainstream Colombia missing out on the good stuff? I think so.

Colombian Fusion Music History – Lesson 1

How did contemporary Colombian fusion music come to be?

That’s the question I’ve been asking people in the know in Bogota.

My first lesson came from a Colombian Ethnomusicologist, Simon Calle.  He has completed a PHD on this subject and works for the Colombian government in a role designed to support and promote Colombian music artists.

My second lesson came from three members of a talented and unique Colombian fusion music band based in Bogota – Papaya Republik.

Papaya Republik

Papaya Republik

What did I learn?

In a probably over simplified nutshell, the history goes something like this:

  • Once upon a time in Colombia existed only its indigenous peoples in different regions– with their own musical styles and instruments.

www.beaveronthebeats.com-2

  • Later to Colombia, at the start of the 16th century, came the Spanish colonisers – with their own European musical styles and instruments.

www.beaveronthebeats.com-3

  • Soon after that to Colombian coastal regions, came slaves bought from Africa – also with their own musical styles and instruments.

marimba de chonta - www.beaveronthebeats.com

The result is a Colombia with an incredibly diverse mix of peoples, cultures and forms of traditional folk music: Champeta, Cumbia, Vallenato, Porro, Curalao and Bambuco for example – and dozens more.

Those diverse groups of peoples were mostly segregated within their own regions, with little or no exposure to forms of music from other regions. Much of that was because of Colombia’s incredibly diverse geography – including the Amazon Rainforest in the south; a Pacific coastal jungle; and three Andes mountain ranges going up through the country.

So how did all these different musical styles start mixing together?

I’m told it’s actually been a pretty recent evolution – in the past 2 to 3 decades.

Again in a probably oversimplified nutshell, it happened because of different social, political and technological factors:

  • Issues with drugs and internal civil war, bought Colombians from the different regions to Colombia´s capital Bogota (located in the middle of the country) – and to a lesser extent to begin with, to other Colombian cities. People also came from the regions to the city to study or to work.
  • Increased diversity of the people living in Bogota meant that musicians started hearing musical styles from other regions of Colombia never heard before. They liked the styles, and so they started playing them, combining them and reconstructing them.
  • Some Colombians travelled overseas and had exposure to other forms of music there.
  • Improved technology, and access to it, meant that more Colombians were exposed to contemporary international musical styles, and started to incorporate them into their music.

And finally, it seems that once some music artists started combining distinctly different styles of music, other artists were influenced by that and started to do the same.

Sidestepper

Sidestepper Live @ WOMADelaide

The band Sidestepper is touted as one of the pioneers, and one of the most influential, but I understand that there were also others that came before. Sidestepper initially fused traditional styles of music with electronic music – and apparently there was a generation before of traditional styles fused with jazz – and before that a generation of traditional styles fused with rock.

There you have the crude and simplified Beaver version of the history of Colombian fusion music and how it came to be today. 

I welcome any comments that correct my version, or add to it!

Stay tuned for Lesson Two – me learning a bit about where the fusion music scene is at now, and how misconceived I was about a few things.

Fusion Music – It’s All in the Mixing

Last night a Latin fusion band’s gig in Bogota taught me something about fusion music.  They shall remain nameless, but they were not Colombian.

The Lesson

My lesson was that maybe, the ultimate difference between fusion music I like and don’t like, is the way that the different musical styles are blended, rather than the particular styles themselves that are combined.  It’s all about the quality of the blend.  Is it done tastefully?  Is it subtle?  Is it done skilfully?  Does the blending of styles sound seamless?

The band I saw last night did not do it subtly, or tastefully.   It was a bit like being hit with a hammer when the change of genre came within each song.  A verse of rock, a chorus of ska, a verse of rock, etc etc. It confused my body, and my ears, and it just bored me really.

Was it just that I didn’t like the sound of that particular band?  I don’t think so.

Manu Chao Too?

Because when I thought about going home after only two songs, it made me think about Manu Chao, and two concerts of his I went to in Australia in 2012 and 2013.  I didn’t enjoy those concerts after having loved his music for a long time. One of those concerts I actually left the gig before it finished – almost unheard of for me. What happened with Manu?

Well what happened was that his band, an awesome band, played a verse of Latin/reggae styles , then a chorus of intense rock, punk or ska, then went back to a verse of Latin/ reggae styles (and all without the horns and keys).   My body and my ears hated it. The dramatic change of styles between verse and chorus felt harsh and confusing.  I might love the sound of the verse on its own – and I did with Manu.  I might also enjoy the sound of the chorus on its own – and I did with Manu.  But that chorus and those verses next to each other, supposedly connecting one another (abruptly I think), I don’t enjoy.

The creation of that type of fusion music doesn’t seem to me to be very challenging. It seems lazy.  And either way, the point for me is that my ears and body simply just don’t like it.

Decided

So, for now I’ve decided that it’s all about the quality, the subtleties and the overall sweetness of HOW the different styles are blended together within the music – one effect of which would be that I probably wouldn’t notice the changes in styles in a song.

Disagree with me?  Think I am speaking crap? Think I am unfairly denigrating Manu’s holy name?  Bring it on – leave a comment to let me know.  Just remember I am still a big fan of Manu too.Manu Chao liveP.SI have been called to task about my decision NOT to name the band in this post:

¨Name and shame them! If you’re going to mention them, you may as well MENTION them.¨

          So then, the band’s name is Hormigas Negras.

Hormigas Negras on La Septima, Bogota - Beaver on the Beats

“Fusion Music is…

…a laboratory.”

Mauricio Guapacha - Papaya Republik

 

 

 

 

Mauricio Guapacha – Drummer from Colombian fusion band Papaya Republik.

Check out Fusion Music Is for ideas from other Papaya Republik band members (+ others). Stay tuned also for more info about this great band.

Papaya Republik

Colombian Music v Cuban Music For Fusion

Deliriously jet lagged in Bogota. Slightly dizzy from the high altitude. So happy to be here. This time (unlike my first) I know the fusion music delights that await me.

IMG_5325

I was on a plane to Colombia when Cuban band Orishas gave me my first taste of Latin fusion music.

Fusion Music in Colombia? 

Arriving in Colombia for the first time, I didn’t know much about the music I’d find here. Only what travel books, blogs etc tell you generally about Colombians’ love of music and the popular music you will hear – Salsa, Cumbia, Vallenato, Reggaeton, Merengue, Champeta etc.  They are definitely right about that, but that’s only a part of the bigger musical picture in Colombia.

Colombia - www.beaveronthebeats.com

My first month in Colombia (Cartagena) all I heard was those popular genres of music – playing in houses, cars and bars everywhere. I left Colombia thinking those were the musical styles on offer.

Fusion Music in Cuba? 

I went to Cuba to find innovative and unique music.  I assumed I had a pretty good chance of finding it in Cuba.   When I heard Orishas on that plane I was even more hopeful.

Cuba - Beaver on the Beats

I never really did find it in Cuba. I heard music everywhere. I heard live bands playing everywhere. I heard multi talented/instrumental and technically brilliant musicians everywhere.  I found some cool, unique  contemporary jazz music – but I didn’t find much other music that really messed around with traditional styles and sounds.

Fusion Music in Colombia?

I found it when I got back from Cuba, to Colombia. Musical diversity+. Fusion. Lots of bands creating really original & unique music I loved by craftfully blending different traditional and non-traditional styles together.

Colombian music is the fruits of having a mix of very diverse peoples and cultures. Also unrestricted access to the music and peoples of the rest of the world – unlike insulated Cuba. Orishas live outside of Cuba by the way.

The musical diversity in Colombia, the fusion music and so many other reasons (people, food, nature & people in all their diversity) make me ever so happy to be back in Colombia again.

I still love Cuba too – and  listen to and love a lot of Cuban music.

Cuba - www.beaveronthebeats.com

A Fusion Ode to Cuban & Colombian Music

In celebration of both Cuban and Colombian fusion music then, here’s a really awesome fusion song. It’s  a collaboration between Cuba’s Orishas & legendary Colombian salsa artist Yuri Buenaventura.

300 Kilos (Orishas & Yuri Buenaventura – Emigrante)

  

Cuba – I’m not gonna make it to you this time round.

Colombia – here I am again. Bogota, here I am…for as many fusion (and traditional) music experiences as I can find.