‘C’ is for Cumbia – Old School & New

‘C’ in the A-Z of Music Genres, Beaver Style (ie. ‘fusion’) goes to Cumbia – old school and new.

Older (But Still ‘New’) School Cumbia

In its original form Cumbia music developed around the Caribbean coast of Colombia during its period of colonization by the Spanish.  It became a fusion of music styles and instruments from the indigenous Colombian peoples of that region (the colonized), the Spanish (invading colonists) and African slaves bought to Colombia by those colonists to work.

A tragic history for Africans and Colombians yes…which brought about the awesome sounds of Cumbia that have since spread throughout the world and morphed into its many different forms.

 Cumbia Colombia

Here you can sample some older (but still ‘new’) school Colombian cumbia songs.  They’re the oldest I have in my collection anyway – cumbia goes way back a long, long time before this…

La Cumbia Colombiana - CD 2

La Cumbia Colombiana

‘La Zenaida’ – Armando Hernández – La Cumbia Colombiana

 

‘Yo Me Llamo Cumbia’ – La Integracion – La Cumbia Colombiana

 

New School Cumbia

Cumbia has come a long way since its origins.

Throughout history countless artists from around the world have taken cumbia and mixed it with their own regional music styles and/or modern ones like hip-hop, electro and jazz to create new and unique forms of music.

Here you can feast on the sounds of the newer school of cumbia music. Check out these sample (mp3 only) tracks by 10 current artists whose music I know and love from the USAFrance, England and of course Colombia.

Toto La Momposina (Colombia)

To my ears Toto La Momposina is the Queen of Contemporary Cumbia. She’s also on my ‘Live Music Experience Bucket List’.

Hailing from Talaigua Nuevo, a town in Northern Colombia, Toto La Momposina’s music draws heavily on traditional cumbia music and dance (amongst other Latin music styles like Cuban son, bullerengue, chalupa, rumba and guaracha).

Her music is celebrated in Colombia, the rest of Latin America and the wider world through which she has toured extensively in her long career.

Check out some sample tracks from some of Toto La Momposina’s albums, including her version of one of the older school sample tracks above…

Toto la Momposina - La Bodega (2009)

La Bodega (2009) – Toto La Momposina

‘Yo Me Llamo Cumbia’ – La Bodega (2009) – Toto La Momposina

 

‘Manita Uribe’ – La Bodega (2009) – Toto La Momposina

 

Carmelina (1995) - Toto la Momposina

 Carmelina (1995) – Toto La Momposina

‘La Sombra Negra’ – Carmelina (1995) – Toto La Momposina

 

La Candela Viva (1993) - Toto la Momposina

La Candela Viva (1993) – Toto La Momposina

‘El Pescador’ – La Candela Viva (1993) – Toto La Momposina

 

Ondatrópica (Colombia/England/Chile/ Peru+)

Ondatrópica - Ondatrópica (2012)

Ondatrópica (2012) – Ondatrópica

‘Cumbia Espacial’ – Ondatrópica (2012) – Ondatrópica

 

Read more about Ondatrópica and hear more Ondatrópica sample tracks here.

Ondatrópica

 

Bomba Estereo (Colombia)

Bomba Estereo - Elegancia Tropical (2012)

Elegancia Tropical (2012) – Bomba Estereo

‘Bailar Conmigo’ – Elegancia Tropical (2012) – Bomba Estereo

 

Kartel Pacifico (Colombia)

Coctel (2012) - Kartel Pacifico

Coctel (2012) – Kartel Pacifico

‘Care Cumbia’ – Coctel (2012) – Kartel Pacifico

 

Puerto Candelaria (Colombia)

Cumbia Rebelde (2011) - Puerto Candelaria

Cumbia Rebelde (2011) – Puerto Candelaria

‘Cumbia Veracruz’ – Cumbia Rebelde (2011) – Puerto Candelaria

 

Here you can check out more sample Puerto Candelaria tracks and a video of a live Puerto Candelaria show in Medellin last year.

 

Papaya Republik (Colombia)

Vol. 1 - Papaya Republik

Vol. 1 (2010) – Papaya Republik

´Cumbia Del Pescaito´ – Vol 1 (2010) – Papaya Republik

 

Read more about Papaya Republik & listen to other Papaya Republik tracks here.

Papaya Republik live

Papaya Republik

 

Monareta (Colombia)

Monareta - Fried Speakers (2010)

Fried Speakers (2010) – Monareta

‘Cumbia de la Sierra’ – Fried Speakers (2010) – Monareta

 

The Quantic Soul Orchestra

(aka Will Holland – England – + his global music collaborators)

Tropidelico - The Quantic Soul Orchestra - Tropidelico

Tropidelico (2007) – The Quantic Soul Orchestra

‘Los Olvidados’ – Tropidelico (2007) – The Quantic Soul Orchestra

 

Check out more sample tracks from The Quantic Soul Orchestra + other Will Holland albums here.

You can also find these Quantic cumbia fusion albums

 

Here you can also check out a video of a DJ set by Will Holland (aka Quantic) at WOMADelaide Festival 2014

Sergent Garcia (France)

Mascaras (2006) - Sergent Garcia

Mascaras (2006) – Sergent Garcia

‘Yo Me Yoy Pa’ La Cumbia’ – Mascaras (2006) – Sergent Garcia

 

Hear more sample tracks from Mascaras + Sergent Garcia’s other albums here.

 

 

Ozomatli (USA)

Ozomatli (1998) - Ozomatli

Ozomatli (1998) – Ozomatli

‘Cumbia De Los Muertos’ – Ozomatli (1998) – Ozomatli

 

Cumbia certainly has made an incredibly profound musical mark all through Latin America and the rest of our big wide world.

I love cumbia in all its many diverse forms, old school and new.  Don’t you?

I Love Cumbia

 

‘C’ is for Chutney & More

Along with Cumbia, ‘C’ is for so many other music genres from around the world, fusion Beaver style.  Here are a few of the ones I like the sound of…

Candombe – fusion of African and Uruguayan styles developed by African-Uruguayan slaves in the 19th century.

Chicken scratch – fusion of Native American, White American, Mexican, and European styles, performed by the Native American Tohono O’odham people.

Chutney – Caribbean pop music that fuses calypso and cadence with several Indian styles.

Conjunto – fusion of Mexican and German styles developed by Mexican-Americans who had bought German instruments in Texas; it also introduced elements of Caribbean and Cuban music.

Crunk – fusion of hip hop and EDM, known for its heavy basslines and shouted, call-and-response vocals; often used incorrectly as an umbrella term for Southern hip hop.

Crunk&B – fusion of crunk and contemporary R&B.

Crunkcore – fusion of crunk and scream.

Anyone got some Chutney or Candombe music to share?  

Papaya Republik – Tongue in Cheek Colombian Fusion Music

Think about the meaning of ‘Banana Republic’. Know that ‘papaya’ is a Colombian fruit and, without wanting to sound obvious, that ‘republik’ is Spanish for ‘republic’. There you have Papaya Republik – a contemporary Colombian fusion band making unique sounding, quality music.

Papaya Republik is 7 Colombians from different regions of Colombia, with diverse musical backgrounds, based in Bogota.

Papaya Republik live

Papaya Republik create and play music with flavours of groove, jazz, reggae, electronic, dub, rock, cumbia and other traditional Colombian styles. According to the lead vocalist Mauricio ‘Batori’ Pardo, they don’t use traditional musical styles but rather, “reconstruct and mutate them into new styles”.

Mauricio ¨Batori¨ Pardo - Papaya Republik

Mauricio ¨Batori¨ Pardo

Batori uses intelligent, tongue-in-cheek, and often sarcastic lyrics that tell stories about social and political issues in Colombia. He says that his use of sarcasm is like a survival mechanism for avoiding the feeling of constant despair about the ever present problems seen in Colombia.

Lyrics aside for non-Spanish speakers, Papaya Republik’s music is special. The use and blending of a variety of older and newer musical genres is done creatively and with skill, with an end result of music that is fantastic.

This is one of my favorite contemporary Colombian fusion bands and their one album so far, Vol 1, is an absolute pleasure to listen and dance to.

Papaya Republik live

I am especially happy that the group has a real horn section (clarinet, trumpet, alto sax & tenor sax), because for me personally, horns in music generally always makes it better. I will pick up my trumpet again some day.

Check out these sample tunes from Vol 1 and let me know what you think…  

Papaya Republik - ´Vol 1´ Album Cover

Papaya Republik -´Vol 1´ album track list

Breve La Vuelta

Cumbia Del Pescaito

Esquizoo

If you like the music, buy it through official channels and enjoy all the sounds you won’t hear in those mp3 versions. If for some reason you can´t find it, contact me and I will.

If you want to see Papaya Republik’s ideas about fusion music, check out the Fusion Music page.

Colombian Fusion Music For The Minority – Lesson 2

Silly misconceived Beaver. How wrong I was.

Since my first trip to Colombia in 2007 I had thought that Colombia has a huge amount of fusion music – loved passionately by a huge number of Colombians. “Why wouldn’t it be?” I thought, “It’s so awesome”. Plus I had found lots of it, well maybe about 10 bands anyway – so I thought that there must be a lot more to be found, and that it must be very popular.

Apparently not so, as I have learned the past week in Bogota from speaking with some people in the know.

Talking with a Colombian Ethnomusicologist (Simon Calle) and three members of Colombian fusion music group Papaya Republik, I learned this…

  • Yes, there are more and more bands in Colombia creating fusion music.
  • Whereas once upon a time fusion bands were mostly found in the capital Bogota, they also exist in other major Colombian cities, more and more so – Medellin, Cali, Barranquilla, and even Pasto.
  • No, modern Colombian fusion bands are not really listened to or even well known by the mainstream population of Colombia. It is listened to by a minority of Colombians and is actually the ‘alternative’ music scene here.
  • The two biggest forms of popular music in Colombia are Vallenato and Reggeaton. The mainstream radio stations play pretty much only that. I don’t have much to say about Vallenato.  There is good and bad Vallenato music, and most of it is not to my taste.  I will however criticise the musical plague that is Reggeaton every chance I get.
  • The Colombian ‘alternative scene’ that enjoys fusion music bands consists of the “middle and upper classes” (Ethnomusicologist, Simon Calle), or the “Colombian intellectuals” (Batori from Papaya Republik).
Papaya Republik live

Batori – Papaya Republik

Well, surprised I was at this news about the popularity (or lack thereof) of Colombian fusion music.

In hindsight I guess my misconception was based on two things:

1. My own luck and circumstance in finding lots of fusion music on my first time in Colombia. My Colombian friends took me to gigs (they are not in lower socio-economic classes by the way) – and once I found some, I went looking for the rest.  I thought what I found must be a small portion of it, but now it seems it was actually a large % of all fusion music that existed.

2. My assumption that because I thought it was unique and awesome, everyone in Colombia must think that too! I forgot that when I look at most mainstream musical tastes everywhere around the world today, they are generally (I think) pretty shite.  It’s all subjective I guess.

 Disappointed at this news I was too…

*Disappointed for mainstream Colombians missing out on home grown unique and interesting music; and

*Disappointed for Colombian fusion music artists largely unappreciated (and unrewarded financially) in their own country.

I’m happy that Colombian fusion music exists.  I´m happy that I know about it.  I´m happy that I can share it.

I´ve already posted some, and will post more, rundowns and sample music of some contemporary Colombian fusion bands….Check them out and let me know what you think.  Is mainstream Colombia missing out on the good stuff? I think so.

Colombian Fusion Music History – Lesson 1

How did contemporary Colombian fusion music come to be?

That’s the question I’ve been asking people in the know in Bogota.

My first lesson came from a Colombian Ethnomusicologist, Simon Calle.  He has completed a PHD on this subject and works for the Colombian government in a role designed to support and promote Colombian music artists.

My second lesson came from three members of a talented and unique Colombian fusion music band based in Bogota – Papaya Republik.

Papaya Republik

Papaya Republik

What did I learn?

In a probably over simplified nutshell, the history goes something like this:

  • Once upon a time in Colombia existed only its indigenous peoples in different regions– with their own musical styles and instruments.

www.beaveronthebeats.com-2

  • Later to Colombia, at the start of the 16th century, came the Spanish colonisers – with their own European musical styles and instruments.

www.beaveronthebeats.com-3

  • Soon after that to Colombian coastal regions, came slaves bought from Africa – also with their own musical styles and instruments.

marimba de chonta - www.beaveronthebeats.com

The result is a Colombia with an incredibly diverse mix of peoples, cultures and forms of traditional folk music: Champeta, Cumbia, Vallenato, Porro, Curalao and Bambuco for example – and dozens more.

Those diverse groups of peoples were mostly segregated within their own regions, with little or no exposure to forms of music from other regions. Much of that was because of Colombia’s incredibly diverse geography – including the Amazon Rainforest in the south; a Pacific coastal jungle; and three Andes mountain ranges going up through the country.

So how did all these different musical styles start mixing together?

I’m told it’s actually been a pretty recent evolution – in the past 2 to 3 decades.

Again in a probably oversimplified nutshell, it happened because of different social, political and technological factors:

  • Issues with drugs and internal civil war, bought Colombians from the different regions to Colombia´s capital Bogota (located in the middle of the country) – and to a lesser extent to begin with, to other Colombian cities. People also came from the regions to the city to study or to work.
  • Increased diversity of the people living in Bogota meant that musicians started hearing musical styles from other regions of Colombia never heard before. They liked the styles, and so they started playing them, combining them and reconstructing them.
  • Some Colombians travelled overseas and had exposure to other forms of music there.
  • Improved technology, and access to it, meant that more Colombians were exposed to contemporary international musical styles, and started to incorporate them into their music.

And finally, it seems that once some music artists started combining distinctly different styles of music, other artists were influenced by that and started to do the same.

Sidestepper

Sidestepper Live @ WOMADelaide

The band Sidestepper is touted as one of the pioneers, and one of the most influential, but I understand that there were also others that came before. Sidestepper initially fused traditional styles of music with electronic music – and apparently there was a generation before of traditional styles fused with jazz – and before that a generation of traditional styles fused with rock.

There you have the crude and simplified Beaver version of the history of Colombian fusion music and how it came to be today. 

I welcome any comments that correct my version, or add to it!

Stay tuned for Lesson Two – me learning a bit about where the fusion music scene is at now, and how misconceived I was about a few things.

“Fusion Music is…

…a laboratory.”

Mauricio Guapacha - Papaya Republik

 

 

 

 

Mauricio Guapacha – Drummer from Colombian fusion band Papaya Republik.

Check out Fusion Music Is for ideas from other Papaya Republik band members (+ others). Stay tuned also for more info about this great band.

Papaya Republik