Colombian Music Artists

Zalama Crew: DJ Cronic Interview on La Melodia & More

La Melodia

The Melody transcends the border of musical genres and transforms into the concept with which we express our originality, feelings, thoughts, and most importantly: how we cope with everyday life.

La Melodia (The Melody) is what Cali’s fusion music & visual collective Zalama Crew call their sounds. Sounds right up my alley doesn’t it?  It is. The live Zalama Crew show I found in Medellin was fantastic. I discovered their new EP Everyday Fight is equally as great.

DJ Cronic was generous enough to fill me in more on Zalama Crew’s history & different musical projects. Here’s what he shared with me…

Zalama Crew logo

In the beginning

Zalama CrewQ: Zalama Crew is a musical and visual collective of 10 artists in your 6th year together. How did a collective of 9 chicos and 1 chica come together in Cali to make fusion music?

A: Everything started with VJ Paul Dub, DJ Cloon and DJ Cronic founding a space with a rehearsal room and recording studio for alternative and folklore bands in Cali called Zalama Producciones. In this time singers and musicians came to record and hang out in our space so we started to make jams sessions and suddenly we put together what’s called Zalama Crew.

Frank (Guitar) and Ana (Flute/Sax) come from jazz and folkloreBilly (Bass) comes from punkAlvaro (Drums) comes from reggae and the 4 MC’s from hip hop and reggae/dancehall.

Zalama Crew-Live-La Feria de las Flores-2013-www.beaveronthebeats.com

The Evolution

Q: Tell me about the about the musical evolution of Zalama Crew over the years.

A: Well, we started as a sound system group with the DJ and MCs and then we added the band.  We’ve experimented with how to blend those elements to make a strong and powerful sound that we called La Melodia Music. We’ve learned to live and know each other personally, so we are more connected now and our music reflects that with a more mature and clear sound – knowing that we have to improve even more every time we rehearse and perform.

Zalama Crew live @ la Negra Noche - la Feria de las Flores 2013- www.beaveronthebeats.com

Urban World Music Lovers

Q: Zalama Crew describes yourself as ‘urban world music lovers’. Which artists inside and outside of Colombia have inspired and influenced you?

A: We’ve been influenced by The Roots, Thievery Corporation, Bob Marley, Massive Attack, Gorillaz, Sidestepper, Pink floyd, Asilo 38, Orishas, James Brown, The Commodores, Ruben Blades, Ismael Rivera and many others.

Zalama Crew-Live-La Feria de las Flores-2013-www.beaveronthebeats.com

The Live Experience

Q: What experience are Zalama Crew and the people at your live shows likely to have?

A: It’s pretty nice and that’s what we like the most, because we get in touch with the people and their feelings so close, through dancing moves and visuals, trying to show and exchange our identity making the people part of it. [it’s pretty nice…Beaver]

Visual Arts

Q: VJ Paul Dub is a part of the Zalama Crew collective. What do you think having visual art adds to the live Zalama Crew experience?

A: The VJ and the visuals complement and step up the concept of Zalama Crew, driving the people to assimilate and picture what the music says, showing some context of where we are inspired from.

Zalama Crew @ La Negra Noche - Parque Cultural Nocturno - La Feria de las Flores - Medellin 2013 - Beaver on the Beats

Zalama Producciones

Q: Zalama Producciones is the Papa Bear of Zalama Crew.  I’ve heard positive things about the support its given to other independent artists in Cali.  Tell me about Zalama Producciones and its mission?

Zalama Producciones - Zalama Crew

A: We try to support other artists with music production and videos, events, workshops and practical tips. We created an event called ‘Escucha y Rota’ where we invite other artists from a zone or part of the city to make music and video workshops, finishing with a concert with musicians from the zone.

Q: Any interesting Zalama Producciones projects you want to share?

A: We’ve worked with MC RimasAeropirataColombian Gangsters and Rio Burning.

Fusion Music in Cali & Colombia

Q: Tell me about what’s happening in the contemporary music scene in Cali, especially in fusion music?

A: The scene is in a very important moment. It’s like a new revival of culture and the appropriation of identity of our country and city. There are many bands creating music with the influences and research of our Colombian roots mashed up with contemporary sounds coming from different latitudes of the world. It’s the desire of making our traditional music more universal and letting other artists resigning the music with different styles.

Q: Is there a growing receptiveness of Colombians in Cali & elsewhere to urban world music Caleno with its mix of mostly non-traditional Colombian genres like hip-hop, reggae, soul & drum & bass?

A: Yes, this is the moment that people are tired of listening to the same rhythms and music, and want to hear something different. Thanks to social networks and the internet it’s easy to listen to different bands and artists from all over. At the same time it’s important to create a stamp to differentiate from each other and people also have many options depending on the taste.

Zalama Crew-Live-La Feria de las Flores-2013-www.beaveronthebeats.com

Sergent Garcia

Q: Sergent Garcia is probably my favorite male artist creating Latin fusion music. How was it that Zalama Crew came to record the song Calentura Mi Son with him?

A: We played at a showcase in the Medellin music market ‘Circulart’ in 2011.  Sergent was the artist to close the event and he watched us play. After it he came to us and met the band. Later in February of 2012 he got in touch with us to say he wanted to do an artistic residence with us. We didn’t know what it was and then he came to Cali and hung out with us for 15 days.  In that time we learned tricks and advices, recorded 2 songs and made a videoclip here in our Cali streets. We were so excited for all that we learned from him.

Zalama Crew & Sergent Garcia

Photo courtesy of www.cumbancha.com

Q: What did you take from your experience of working with Sergent Garcia?

A: He taught us some practical tricks and professional techniques to get a better show and performance, interaction with the audience and about humbleness and professionalism.

The result of this was the recording of 2 tracks and the videoclip of the song Calentura Mi Son. Thanks to him for the vibe and for being so humble and professional.  We are still talking and keeping in touch with him when he comes to visit Colombia.

Que Mas?

Zalama Crew - Everyday Fight - EP cover - www.beaveronthebeats.com

Q: The EP Everyday Fight has just been released. You’ve toured it a bit in Colombian cities recently. What’s next for Zalama Crew?

A: We are working on going to Mexico, Spain, Argentina and Chile in 2014.

We also just published our work with legendary masters of San Andres Orange Hill, a traditional calypso and soca group from the Colombian Caribbean islands. We recorded 1 song called Jumping to Jumping where we mixed the traditional calypso with the Zalama Style. Here is the link where you can watch it and download it for free. I hope everybody likes it.

Zalama Crew’s Everyday Fight Doesn’t Disappoint

Have you ever found a band at a fantastic live show, only to buy their CD and find out it makes you a bit sleepy next to the live experience? I have. Many times. The most recent for me was Tarrus Riley, my great live find at Reggae Sumfest.

Zalama Crew - Live @ La Negra Noche, Medellin - August 2013

Zalama Crew live @ La Negra Noche, La Feria de las Flores Medellin – August 2013

I loved Zalama Crew’s live show at  Negra Noche in Medellin last month.

From there I kind of expected their 2013 EP Everyday Fight to be disappointing.     It definitely was not that.

If you love like I do, good sounds of really well blended hip-hop, dub reggae & soul, with some Latin rhythms in the mix, you’ll love the tunes on Everyday Fight.

Zalama Crew - Everyday Fight - EP cover - www.beaveronthebeats.com

My ears lock into the intro beats of Track 1 immediately. Slowly slowly the sounds keep building. I can’t stop listening. I wonder, and wait in anticipation for whatever might be coming next.

01 Llego La Melodia

It sounds like it could be something special yes?

Track 2 kicks in, and there it is.  My body has to move to the music. And I’m in it.

02 Escucha & Rota

From there I stay in it. Engaged with each of the different soundings songs on Everyday Fight until the end.

That end is my only disappointment with the EP really. After the 7 songs are over I always wish there were more to come.

Zalama Crew Listen to Everyday Fight tracks @ soundcloud.com/zalamarecords  & soundcloud.com/zalamacrew.

You can buy Everyday Fight from:

*  Almacenes la Musica (in Cali, Colombia), or

* ITunes (elsewhere in the world)https://itunes.apple.com/us/artist/zalama-crew/id516662793

& find more Zalama Crew music too…

Zalama Crew are a collective of independent artists from Cali, Colombia.

Zalama Crew = band (human bass, drums, flute & guitar players yes + DJ Cronic +   4 MC/Vocalists + VJ Paul Dub.

Zalama Crew

Anyone want to go to Cali this week for the live Zalama Crew experience? Yo si.

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DJ Cronic chatting about Zalama Crew, Zalama Producciones, fusion music in Colombia, working with Sergent Garcia and more,  soon.

Is Bogota “The World Capital of Music”?

“Bogota is the world capital of music.”

That’s a big claim yeah? An even bigger one than being “the greatest reggae show on earth”.

This is what a non-native Colombian – living in Colombia (not in Bogota) – and playing music in a Colombian fusion band – recently told me in Bogota.

Is Bogota really “The World Capital”?

I’m not sure I agree with him that Bogota is the world capital. I’m not sure New Yorkers would agree. Or Berliners.  After recent experiences in Jamaica I think some Jamaicans might say that Jamaica is the world capital of music. Colombian musicians living in other Colombian cities might also disagree that Bogota is the world capital of music.

José Enrique Plata Manjarrés

I put the proposition to a Colombian, un Bogotona, José Enrique Plata Manjarrés. I consider José to be a living, walking encyclopedia of Bogota’s recent musical history, as well as Latin America more generally. Just 2 of his many musical projects, spanning a decade, included: 1.  collecting Bogota concert posters; 2. reviewing and/or collecting all music of all genres recorded in Bogota by Colombian and visiting international artists (some of them unreleased):  http://www.fotolog.com/owaihttp://www.last.fm/user/owai.

José responded “I don’t know that Bogota is the world capital of music. But it is certainly a reference point”.

Bogota is “a reference point”

A reference point it is.

The more I ask questions about Colombian fusion music, the more I find out just how many people outside of Colombia have been looking closely at what’s happening musically in Bogota (and the rest of Colombia) in recent years. I just found out about an awesome 2013 documentary called ‘Que Pasa Colombia’ (‘What happened Colombia’).  It’s whole focus is on contemporary Colombian fusion bands and how all the fusion music came to be: exactly what I’ve been going on about lately, and thinking about for years.

Que Mas?

“World capital of music” or not – the point is that in Bogota there is an incredibly rich, interesting & diverse tapestry of amazing contemporary music being created – including lots of fusion music mixing traditional and modern sounds.

And it’s not just in Bogota.  Maybe there’s more fusion bands based in Bogota because it’s the capital, but music artists are creating great fusion music all throughout Colombia.

Systema Solar - Caribbean Coast

Systema Solar – Caribbean Coast

Puerto Candelaria - Medellin

Puerto Candelaria – Medellin

Zalama Crew live @ Negra Noche - Parque Cultural Nocturno 2013 - Medellin - Beaver on the Beats

Zalama Crew – Cali

What Now for Beaver?

Six years after first discovering Colombian fusion music, I have only just started to scratch the surface of how much incredible music is actually in Colombia to be found (fusion and traditional kinds).

Sadly I have to say goodbye to Colombia for now. For the other side of the Pacific (el otro lado del Pacifico) – to put my feet in the sand there for a bit.Byron Bay Australia - Beaver on the Beats

But I will be back to Colombia again, and again, to keep scratching away and finding great musical experiences.

Until then I have lots of things to keep me entertained and dreaming of musical Colombia:

  • a heap of great Colombian fusion bands whose music I’ve been enjoying for a long time but haven’t had time to write about yet.
  • a bag of new Colombian fusion music CD’s to digest – and share what I find.

Music Stores for Independent Colombian Music CDs - Beaver on the Beats

  • a list of other Colombian fusion bands recommended to me by Colombians – whose CD’s I haven’t been able to get hold of.
  • a list of Colombian music festivals I will get back to Colombia for.

I love and already miss the friendly, warm, happy, passionate and incredibly diverse looking, speaking & acting Colombian peoples.

And Dios Miya I will miss the rich, unique & diverse Colombian fusion music (and traditional too) being created, and played live all throughout Colombia.

 I love Colombian fusion music. Don’t you? Claro que siiiii you do

ChocQuibTown Demonstrates The Power of Music

Back in Bogota from Medellin a few hours – all other plans for the night cancelled when a friend told me ChocQuibTown was playing a gig in Bogota.

I had to go yes? Six years on from my 1st ChocQuibTown gig in Bogota –my introduction to Colombia’s amazing fusion music bands. I love their Pacific Coast hip hop/Afro Colombian/funk fusion music.  I had to choose to have the live ChocQuibTown experience again.

ChocQuibTown at La Puerta Grande

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So, what was different in 2013?

Venue

The 2007 ChocQuibTown gig was at Quiebra Canto– a bar well known for live music in a very down to earth (some would say dodgy) central area of Bogota.

The 2013 ChocQuibTown gig was at La Puerta Grande – a very upmarket bar in a very affluent Bogota suburb known as Parque 93.  My 1 drink of the night was truly the most expensive drink I’d bought anywhere in the world before.  La Puerta Grande might be a little pretentious – but it’s also a really nice space with some cool decor, beautiful ambient lighting, even big palm trees growing out of the floor. ChocQuibTown @ La Puerta Grande - Bogota 2013 - Beaver on the Beats

People

Much less than at the 2007 gig (30 mil pesos tickets-alot of $ in Colombia-might have been why?). Selfishly it meant more space to dance.

Vibes were fine, vibes were good.  Slightly subdued maybe? Lacking a fire perhaps?

Basically the overall Quiebra Canto experience in 2007 was much more fun and lively than La Puerta Grande one.

ChocQuibTown Music

Chocquibtown’s songs were awesome to listen and dance to in 2007, and even more awesome to listen and dance to in 2013.

The quality of singing, rapping & toasting by the 3 principal members of ChocQuibTown (Slow, Goyo & Tostao) was faultless.

ChocQuibTown @ La Puerta Grande - Bogota 2013 - Beaver on the Beats

Slow, Goyo, Tostao

There was 1 big difference between the 2007 and 2013 gigs. As well as Slow on beats, ChocQuibTown also had a fantastic, funky live band (including horns) with them.  For me that made all of the music (including vocals & raps) sound more full and alive. The band was a great surprise.

ChocQuibTown @ La Puerta Grande - Bogota 2013 - Beaver on the Beats

The songs they played seemed to have more funk flavours than before – and I loved that cause in the end funk’s probably my most favourite music genre, just.

Set Time

I am guessing that ChocQuibTown’s set was about 45 minutes long?  However long it was it felt really, really short.  I wanted much more.

ChocQuibTown @ La Puerta Grande - Bogota 2013 - Beaver on the Beats

Check out these videos of ChocQuibTown’s La Puerta gig yourself…

 “The Power of Music”

One last thing I want to share about the ChocQuibTown gig: A friend I went there with said this to me afterwards (referring to some comments made by ChocQuibTown about the recent killing of a U.S citizen near Parque 93 and the government and media propaganda around it:
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If people talk about those type of things in a political discourse in Colombia they can be killed.  If musicians say them it’s okay. That’s the power of music. 

ChocQuibTown live in Bogota, Colombia 2013

Puerto Candelaria – “Medellin’s Best Fusion Band”

When I told Colombians in the musical know that I was going to a Puerto Candelaria concert in Medellin, they all said something like:

     “Puerto Candelaria is Medellin’s best fusion band.”

I kept answering: Si, I know, that’s why I’m going. I love their kooky music.  

There is no other band I’ve ever heard that sounds like Puerto Candelaria. Their music is experimental jazz with a lot of different traditional Colombian & other Latin rhythms in the mix – including Cumbia, Vallenato, Porro, Guasca & more. The music is fun, original, unconventional and  kooky.

I was lucky to be in Medellin last week to catch their live gig at 3 Cordilleras (supported by Esteman & Troker).

Puerto Candelaria @ 3 Cordilleras, Medellin - Beaver on the Beats

My expectations for this show were really high.  The band totally delivered.

Puerto Candelaria self describes their shows as “absurd, dramatic, explosive, childish, funny and delusional”.  I’d say the one I saw at  3 Cordilleras was just a little (positively) kooky at times is all.

Much more importantly than absurdity, drama, explosiveness etc etc, are the music and the musicianship si?

Well both the music and the musicianship of Puerto Candelaria at the 3 Cordilleras gig were brilliant.

Juancho Valencia on piano & musical direction – Eduardo González on bass & vocals – José Tobón on soprano sax –  Cristian Ríos on trombone –  Carlos Didier Martinez & Juan Guillermo Aguilar on percussion.

 Video of the gig (dodgy at 1st, wait a bit 🙂 ) here…

Puerto Candelaria have played together since 2000, with 4 albums and a lot of world-wide festivals and tours under their belts.

They have a lot of loyal fans by now.  I am one of them –  because they play super unique, feel good, and yes ‘kooky’ Latin jazz fusion music.

Each album sounds different.  Each one is great.

They are easy to find and buy if you like the sounds. Sorry as always you have to listen here in shitty MP3 format. I promise you Puerto Candelaria’s music sounds much better and is done better justice on the original CDs.

Kolombian Jazz (2002)

Proceso (Chucu-Chucu) – Puerto Candelaria – Kolombian Jazz
Suspiro – Puerto Candelaria – Kolombian Jazz

Llegó La Banda (2006)

La Olla Atomica – Puerto Candelaria – Llegó La Banda
Analisis – Puerto Candelaria – Llegó La Banda

Vuelta Canela (2010)

Sargenta Remolacha – Puerto Candelaria – Vuelta Canela
La Corriente– Puerto Candelaria – Vuelta Canela

Cumbia Rebelde (2011)

Balkanica – Puerto Candelaria – Cumbia Rebelde
Cumbia Rebelde – Puerto Candelaria – Cumbia Rebelde

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Puerto Candelaria is the “best fusion music band from Medellin” that I’ve heard so far.

Hands down they are  also the best contemporary Colombian jazz band I’ve heard.

Puerto Candelaria  Live @ 3 Cordilleras - 2013

Puerto Candelaria is also at home at Merlin Producciones – an independent label and music production company for emerging Colombian artists.  Apart from Puerto Candelaria, Merlin Producciones has other Colombian artists under its wing worth checking out, including La Republica.

DJs With Bands = Musical Diversity +++

Many of the fusion bands I have heard live in Colombia (and/or have on CD), have a DJ in the musical mix.   Those DJ’s play a fundamental part in the diversity of sounds created by the band as a whole.

Live music is the ultimate musical experience for me.

A great DJ to dance or listen to is also an awesome musical experience.

The 2 combined: DJ + a band = musical diversity +++, live.

A DJ can create any and as many different sounds as he/she wants yesMusicians can’t do the same thing with instruments, can they?

Combine the musicians and the DJ’s (+ of course emcees & vocalists), and you have complete musical freedom to be as diverse as you want yes? The sound possibilities are endless.

Or no? 

Add a VJ into the mix and you have visual diversity with the auditory yes?

Official sites of these groupsBajo Fondo – Bambarabanda – ChocQuibTown – Dubioza Kolektiv – Mitu – Papaya Republik – Pulenta – Sidestepper – Systema Solar – Troker – Zalama Crew

 

Reviews of gigs, sample music & other info about these groups by Beaver on the Beats @Bajo Fondo –  Bambarabanda –  ChocQuibTown – Dubioza Kolektiv –  Mitu –  Papaya Republik –  Pulenta –  Sidestepper –  Systema Solar –  Troker –  Zalama Crew

Zalama Crew – Best New Colombian Fusion Music Find

I was going to give La Feria de las Flores events in Medellin a miss this year.

Changing my mind and going to Sunday’s Negra Noche (‘Black Night’) – part of the Parque Cultural Nocturno program in La Feria de las Flores – was a blessed thing for the three new musical discoveries I made.

1. ZALAMA CREW

One of those new finds is Zalama Crew – my first taste of fusion music from the Colombian city of Cali, and my best new Colombian music find this time around in Colombia.

Zalama Crew live at Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Zalama Crew at La Feria de las Flores

Zalama Crew at Negra Noche were 9 guys:  4 singers/emcees (Dr Rata; Bing; Maik Cel; Osound); Bass (Andres); Guitar (Frank); Drums (Alvaro); DJ CronicVJ Paul Dub.

Zalama Crew - La Negra Noche - 2013 - www.beaveronthebeats.com

Note – nine band members on stage and no live horns (their usual sax/flute player missing) – and I didn’t even notice until it was over.  That’s a good sign.  The music was so  full and engaging that I didn’t miss the live horns like I usually would.

Zalama Crew dub themselves ‘urban world music lovers’ – a good description given the diverse mix of music they create. I heard so many different flavours in the mix – all blended together seamlessly and played with such style – Hip Hop, Electrónica, Jazz, Drum & Bass, Bossa Nova, Cumbia, Punk, Soul/R&B, Salsa, Rock, Dub, Dancehall & Ragga.  I might have forgotten some!

Zalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

The performance of this collective was really energetic and engaging – especially with the individual and combined vocals and raps of the 4 different singers and MCs moving around the stage.

Zalama Crew concert in Medellin, Colombia 2013

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Those singers and MCs + the interesting sounds mixedup by DJ Cronic + the instrumentation &  musicianship of the band  = a really cool mix of diverse and original sounds.

Zalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsZalama Crew live @ Negra Noche del Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

I am loving all the VJ’s in the Colombian fusion bands I’ve been catching live – and VJ Paul Dub from Zalama Crew was no exception.  Very cool, interesting, beautiful visuals.

Zalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsZalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

I loved most of the songs Zalama Crew played at Negra Noche – and my body wanted to dance.  There were a couple of the slower songs I was less into, but the performance was still stellar and kept my eyes and ears glued to the stage every moment.

Zalama Crew were simply awesome.

I have Zalama Crew’s EP Everyday Fight to take home with me and check out – but I imagine the live experience of this group is where the most magic is at– like I always hope it will be with any musician.

Short video of Zalama Crew’s show here…

 

On top of my Zalama Crew find – Negra Noche introduced me to 2 other phenomenal bands – 1 fusion band and 1 band as traditional as they come.

2. BIG BAND TENNESSEE JAZZ UNIVERSITY

The Big Band Tennessee Jazz University – a big band from the University of Tennessee in the U.S. – put on an incredible show of funk and jazz music.  The quality of the musicianship was stellar, as was the fun and energetic stage show.

Big Band Jazz Tennessee University @ la Negra Noche de Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Big Band Jazz Tennessee University

Super short video from the end of the Big Band Jazz Tennessee University concert here…

3. LAS ALEGRES AMBULANCIAS

The 3rd phenomenal act I found, closing Negra Noche, was Las Alegres Ambulancias.

Las Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLas Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Las Alegres Ambulancias hail from San Basilio de Palenque, a town on the Colombian Caribbean Coast.  The Palenqueras are special in that they have completely preserved the African traditions and language originaly bought to that region of Colombia with the slaves during the Spanish conquest.

The music of Las Alegres Ambulancias was traditional Palenquera music, pure as they come.

Las Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLas Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLas Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

It was a really special show for me, and everyone else in the audience, especially proud Palenqueras.

Negra Noche del Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLa Negra Noche del Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

And note Las Alegres Ambulancias’ beautiful female bass player:

Las Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Video of Las Alegres Ambulancias’ show here…

Ever so happy I took myself out to friendly, good vibes, open air Negra Noche to experience 3 incredible shows by 3 special bands new to me.

Zalama Crew + Big Band Tennessee Jazz University + Las Alegres Ambulancias – muchas gracias!

Mitú – An Entrancing Electronic Music Experience

Last night in Bogota I had an absolutely unforgettable and entrancing musical experience. A most surprising and unexpected one: Mitú.

I had no idea what the gig was. I only went to see some friends before I leave Bogota.

What I found even before the main act was awesome – one of the coolest venues I’ve been to in terms of character, style and set-up (Latora 4 Brazos), and two female DJs (an all too rare find no?).

When the main act did start, Mitú, I discovered it was fast and intense electronic music – ‘jungle techno’. One percussionist, Franklin Tejedor. One guy in charge of the electronics, with lots of cords and machines –  Julian Salazar– also the guitarist with successful Colombian fusion band Bomba Estereo.

Mitu @ Latora 4 Brazos - Beaver on the Beats

While my friends joined the dancing crowd, I completely switched off, as I usually do when it comes to techno music. At best, I generally find it tedious, and my body just doesn’t want to move to it.

Fascinated by the beautiful venue I wandered away from the music and through the different venue spaces, playing with my camera, and hoping my friends would surface from the crowd soon so I could say goodbye and go home.

When I went back to the crowd, some people had left and I was able to find a space to engage with the Mitú music, and see and hear what was actually happening.

Dios miya! What was happening was really incredible. Two guys having an awesome time on the stage, so much into the music they were playing it was inspiring.

The high quality electronic sounds coming out of those machines were so varied and interesting, with flavours of cumbia and meringue and I don’t know what else!

Mitu @ Latora 4 Brazos - Beaver on the Beats

Mitu @ Latora 4 Brazos - Beaver on the Beats

Mitú’s percussionist, and at times vocalist (in Palenque language), playing Colombian tribal rhythms, was incredible. The quality of musicianship was beyond words. 

Within minutes of engagement, I found myself smiling from ear to ear, jaw to the ground in awe of the music and musicianship, and totally and utterly entranced. Right until the end.

Mitú is the first techno experience of my life that has moved me. A stellar performance, incredible stamina (judging by the time I got home, they must have played for 2 hours), ridiculously talented musicians and really interesting, awesome and yes, entrancing music.

Absolutely spectacular.

Given my general aversion to techno, I’m not sure if I would go as far as to buy the Mitú CD (‘Potro’), but if you’re into electronic music I would definitely find it.  If you ever get the chance to experience Mitú live, go!  I will in a heart beat  if I get another chance.

Nestavibe – A Cute Reggae Band In A Stunning Venue

The band, Nestavibe…8 youngens.

Nestavibe -  Live at Fundacion Gilberto Alzate Avendano - Beaver on the Beats

The venue

  • In a very beautiful, but reputedly dodgy (justifiably so) historical neighbourhood of Bogota called La Candelaria. I love La Candelaria.
  • A stunning old theatre. One of a few different spaces within the walls where lives the Fundacion Gilberto Alzate Avendano. Every stone and piece of wood within those walls has character and beauty.
  • Comfortable red velvet chairs. I suspect you can hear and see everything that happens on that stage from every single one of those chairs.

The quality of sound…perfect.

The lighting…perfect.

The music…mostly reggae/dub – but, well, um, nothing at all like I think I’ll find in Jamaica next week.  No singing to Jah. Singing to Jesus.

Nestavibe live @ Fundacion Gilberto Alzate Avendano-Beaver on the Beats

Back to the venue, cause it’s worth it…

This gig was one of many concerts, exhibitions, dance and theatre shows of all sorts happening in this venue every night of the week – for free. The program is full, and has some really great stuff.

Occasionally some of the Foundation’s events are held in the outdoor patio area where I was last week for Richard Blair’s DJ set.

Operations Manager of the Foundation, Julian Mosquera Munoz, says he wants every event to be held in the theatre. He believes the experience for the audience is much more special in that space than any other, and that will make people want to come back again.

Nestavibe -  Live at Fundacion Gilberto Alzate Avendano - Beaver on the Beats

I´m not convinced that every event should be in the theatre. I do appreciate the lovely environment, alot. It is certainly special. I couldn’t help thinking tonight though, that if the music had moved me to want to dance, I probably would have been feeling a little frustrated at being stuck in my comfortable red chair.

There is no doubt that I want to go back to the Foundation again to experience more.  So in the end, maybe Julian is right.

One event I definitely want to get back there for in January, is the six-day long Festival Centro. The programs from all years (past and coming) look amazing, with a feast of national and international music artists to satisfy all tastes.

If you’re in Bogota and want an intimate musical, dance or theatre experience, definitely check out the program for what’s on at Fundacion Gilberto Alzate Avendano.  Or get yourself to Bogota for Festival Centro in January.

Papaya Republik – Tongue in Cheek Colombian Fusion Music

Think about the meaning of ‘Banana Republic’. Know that ‘papaya’ is a Colombian fruit and, without wanting to sound obvious, that ‘republik’ is Spanish for ‘republic’. There you have Papaya Republik – a contemporary Colombian fusion band making unique sounding, quality music.

Papaya Republik is 7 Colombians from different regions of Colombia, with diverse musical backgrounds, based in Bogota.

Papaya Republik live

Papaya Republik create and play music with flavours of groove, jazz, reggae, electronic, dub, rock, cumbia and other traditional Colombian styles. According to the lead vocalist Mauricio ‘Batori’ Pardo, they don’t use traditional musical styles but rather, “reconstruct and mutate them into new styles”.

Mauricio ¨Batori¨ Pardo - Papaya Republik

Mauricio ¨Batori¨ Pardo

Batori uses intelligent, tongue-in-cheek, and often sarcastic lyrics that tell stories about social and political issues in Colombia. He says that his use of sarcasm is like a survival mechanism for avoiding the feeling of constant despair about the ever present problems seen in Colombia.

Lyrics aside for non-Spanish speakers, Papaya Republik’s music is special. The use and blending of a variety of older and newer musical genres is done creatively and with skill, with an end result of music that is fantastic.

This is one of my favorite contemporary Colombian fusion bands and their one album so far, Vol 1, is an absolute pleasure to listen and dance to.

Papaya Republik live

I am especially happy that the group has a real horn section (clarinet, trumpet, alto sax & tenor sax), because for me personally, horns in music generally always makes it better. I will pick up my trumpet again some day.

Check out these sample tunes from Vol 1 and let me know what you think…  

Papaya Republik - ´Vol 1´ Album Cover

Papaya Republik -´Vol 1´ album track list

Breve La Vuelta

Cumbia Del Pescaito

Esquizoo

If you like the music, buy it through official channels and enjoy all the sounds you won’t hear in those mp3 versions. If for some reason you can´t find it, contact me and I will.

If you want to see Papaya Republik’s ideas about fusion music, check out the Fusion Music page.