If Anderson Paak “spent years…living under his greatness” like he tells us in ‘The Season/Carry Me’, then he’s definitely made up for it tenfold in recent times. New testament to that is the fact that he & The Free Nationals just achieved something I’ve rarely seen done by any performing artists in Australia.

Without even really trying they had the usually laid back, hard to motivate Aussie crowds at their Laneway Festival and sold-out sideshows singing the lyrics to every song, even down to Paak’s characteristic “uhs” between lines in ‘The Bird’. At the end of the opening song ‘Come Down’, and all others that followed in the set, the Sydney Metro Theatre crowd clapped and screamed almost endlessly, like they usually might do only at the very end of a killer show when desperately wanting an encore.

That wild, welcoming, appreciative response by Australian audiences on the bands first visit was undoubtedly well deserved. But it still surprised me. And seemed to also spin out Anderson Paak with him shaking his head, smiling widely and promising “we’ll be back soon”.

Before these Laneway shows I had no doubt that Anderson Paak has delivered three of this decades greatest, most innovative and unique albums in Venice, Malibu and Yes Lawd!. Not to mention the long list of songs on which he’s collaborated with equally-incredible artists like A Tribe Called Quest, Kendrick Lamar, Kaytranada, Dr. Dre and ScHoolboy Q (to name just a few).

Paak has an astonishing level of musicality; songwriting, production and drumming skills beyond reproach; a vocal style like no other; lyrical honesty and wit, and the ability to seamlessly fuse the sublime sounds of funk, R&B and hip hop. Those things and more make him pretty damn special amongst even the world’s dopest contemporary artists. It’s no wonder so many of them have jumped at the chance to collaborate with him or seem to be lining up to do so in the future.

After experiencing Anderson Paak and The Free Nationals (Jose Rios, Ron Tnava Avant, Kelsey Gonzales & Callum Connor) deliver flawless live performances and bring his songs to life in full, magnificent force (with more swagger than any one man should be allowed to have btw), my faith in and gratitude to Anderson Paak are even stronger. And my hopes are higher for the future of music too (they were pretty low, and getting lower). Paak turned only 32 while in Australia and it’s exciting that he has so many years ahead to keep creating and sharing music – including this year when we can expect the release of another solo album plus one with The Free Nationals.

Surely by now everyone out there is onto the greatness of Anderson Paak and his music, right? Seems that Australians are. If not, do yourself a big favour and check out these sample tracks (mp3 versions only) from Venice, Malibu and Yes Lawd! (available on sweet vinyl) as well as the video snippets below from his Sydney Metro Theatre and Brisbane Laneway Festival shows.

Miss Right by Anderson Paak – Venice

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The Waters by Anderson Paak – Malibu

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Suede by NxWorries – Yes Lawd!

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Here’s hoping Anderson Paak continues on his path of musical greatness for a very long time to come. And that his music inspires new artists to achieve the same on their own path. Thanks be to Paak and The Free Nationals for their first crazy-amazing Australian performances and to St. Jerome’s Laneway Festival 2018 for making them happen.