Protoje & The InDiggNation Live In Amsterdam – Ancient Future Tour 2015

About this time two years ago I was in Jamaica on the hunt to find Protoje’s then-new album The 8 Year Affair. Finding a Summer show on his island home wasn’t an option because Protoje and The InDiggNation were touring Europe. I’ve watched their busy tour schedules since, waiting patiently for a chance to catch a live show.

I finally got it at Amsterdam’s Melweg last week – on the tail end of their tour of the now-new third album Ancient Future (released in March this year) – and amongst the collective’s shows at venues and reggae festivals throughout Europe including Mighty Sounds, Lakesplash, Summerjam, Sunrise Reggae & Ska, One Love and Summer Vibration.

Protoje live at Melkweg, Amsterdam - July 2015

Protoje live at Melkweg

Was I satisfied with my long-awaited live Protoje and The InDiggNation experience? Most definitely and completely. They quenched my thirst for wicked contemporary roots reggae music – and today that’s not an easy thing to do.

I love the sounds, quality, essence and musicianship levels of old – and cringe when I hear bands all over the world doing those sounds and the artists who made them an injustice by unsuccessfully trying to replicate them and creating bad, bland reggae music in the process. But I also want reggae music that sounds fresh, unique, diversified and has an edge to it.

At their Amsterdam show (like on the albums) Protoje and The InDiggNation collective delivered all those sounds I crave from both the past and present, made every part of my being smile with joy instead of cringe – and demonstrated live what an all mighty justice they’re doing for Jamaican and worldwide reggae music. My one of only three passing thoughts at the gig (great live music takes you out of your head) was “I haven’t heard live reggae music this wicked since Sly & Robbie”.

Protoje live at Melkweg, Amsterdam - July 2015

The humble and gentle Protoje himself with his unique hip hop vocal flow that gets my body moving every time, is just one part of the goodness of the live experience. The others, equally as important and talented are their sound engineer Greg Morris plus the seven core members of the InDiggNation on stage with Protoje: Peter “Kongz” Samaru (drums) – Lamont “Monty” Savory and Kevin “Zuggu” Patterson (guitars) – Paris LaMont Dennis (keys & vocoder) – Danny Bassie (bass) – Shenae Wright and Keiko Smith (background vocals).

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At Melkweg the crowd got the extra-special treat of hearing the absolutely stunning live vocals of young Jamaican diva Sevana when she joined the group on stage for three songs – two from Ancient Future (‘Love Gone Cold’ & ‘Sudden Flight’) and her own first single (produced by Protoje) ‘Bit Too Shy’. Sevana’s presence took the show to new heights again.

Sevana + Protoje & The Indiggnation live at Melkweg, Amsterdam 2015

Sevana with Protoje & The InDiggNation at Melkweg

The heavenly vocals of Zuggu in place of Ky-Mani Marley on ‘Rasta Love’ were another highlight amongst the gig’s many.

The Indiggnation live concert at Melkweg, Amsterdam 2015

The second of those three passing thoughts was that Protoje and The InDiggNation seemed a wee bit tired. Totally expected given their relentless tour schedule – and it didn’t stop them from delivering a killer show that brought a whole lot of happiness to everyone there.

A few times during the set Protoje thanked the Amsterdam crowd for taking the time to come out and listen. My third and final thought in response was “Kind words, but seriously? Man, thank you all for bringing your music to us”.

Protoje live at Melkweg, Amsterdam - July 2015

Anyone with a thirst like mine for wickedly-diverse, fresh, unique contemporary reggae music with the qualities and essence of old, needs to find their own sublime live Protoje and the InDiggNation experience. I’ll take another one, and another, wherever and whenever I can. In the meantime we can all keep dancing to our beloved hard-copies (digital if you must) of Ancient Future, The 8 Year Affair and The 7 Year Itch.

Listen here to ‘Sudden Flight’ (featuring Sevana and Jesse Royal) and check out video footage below of Protoje and The InDiggNation performing ‘Protection’ and ‘Bubblin’ in Amsterdam (all three tracks from the new album Ancient Future, which you can buy here).


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D’Angelo & The Vanguard: Then & Now – Night & Day

The difference between D’Angelo & The Vanguard’s concert at London’s Roundhouse on Monday night and the last concert of theirs I heard is like Night and Day.

The last was nine months ago when they performed at Soulfest 2014– “Australia’s first annual neo-soul, hip hop and jazz festival”. At that time and for the previous decade, live performances by D’Angelo – or any news of D’Angelo – were rare, almost non-existent. We had no idea then that Black Messiah and the ‘Second Coming’ of D’Angelo were imminent.

D'Angelo & The Vanguard live at Melbourne Soulfest 2014

D’Angelo & The Vanguard live at Melbourne Soulfest 2014

I raved about the seemingly phenomenal goodness of those Australian shows. But with hindsight and the experience of D’Angelo and The Vanguard in London this week I see things a little differently.

D'Angelo & The Vanguard live concert at London Roundhouse

D’Angelo & The Vanguard live at London Roundhouse

Sure the 2014 shows were magnificent – but really, that was for the rare opportunity to experience the incredible musicianship of each and every one of those long-beloved funk and soul artists on stage performing their craft live. The reclusive D’Angelo first and foremost of course – joined (amongst the rest of The Vanguard) by Jesse Johnson, Pino Palladino and Kendra Foster.

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But what I saw clearly in London this week when D’Angelo & The Vanguard graced the stage and started playing (albeit an excruciating 90+ minutes late due to flight delays), is the epic transformation that’s taken place for them since Soulfest. With the release of Black Messiah, considered a wondrous musical gift by, well, everyone who knows anything 🙂 , and 30+ live shows later, D’Angelo & The Vanguard are now a different, much much stronger beast than ever before.

For starters the 11-piece group now includes horns, glorious horns care of Keyon Harrold and Kenneth Whalum III. And as of this month veteran soul diva and long-time friend of D’Angelo, Joi Gilliam brings her talents to The Vanguard posse, taking the place of Kendra Foster on back-up vocals.

Joi Gilliam - D'Angelo & The Vanguard live concert at London Roundhouse

Joi Gilliam

But above and beyond that, the greatest transformations are the profound connectivity and tightness of the group evident in every sound and movement made; and the visible changes in their leader D’Angelo.

Gone is the timid, slightly nervous, restrained D’Angelo I saw on Soulfest stages reacquainting himself with performing to the world – and avoiding ‘Brown Sugar’. Enter D’Angelo on the Roundhouse stage – completely and utterly comfortable, confident and happy in his human and musical skin, doing what he loves to do and what (it seems) he was naturally born to do before the vultures of the music industry, the press (and the public too) sent him to face his demons and retreat for way too long: to bring absolute joy to the people of the world through music.

D'Angelo & The Vanguard live concert at London Roundhouse

Both the Roundhouse and Soulfest shows ended with ‘Untitled (How Does It Feel)’ – and the opportunity for all (D’Angelo too from behind his piano) to hear and appreciate the individual sound of each player and vocalist in turn, and acknowledge their contribution to the show before leaving the stage. Of course I wanted them to stay and play on and on, and on some more.

D'Angelo & The Vanguard live concert at London Roundhouse

On my way out of the Roundhouse my smile got even wider after hearing a guy tell his friend his only disappointment about the show was that D’Angelo played some of his old songs [only two I think – ’Brown Sugar’ and ‘Untitled (How Does It Feel)’] instead of more of Black Messiah (we did get ‘Sugah Daddy’ ‘Ain’t That Easy’, ‘Really Love’, ‘Betray My Heart’ and ‘The Charade’). Turn back the clock to Soulfest when it drove me crazy to hear people complaining D’Angelo didn’t play ‘Brown Sugar’.

D'Angelo & The Vanguard live concert at London Roundhouse

Betray My Heart – D’Angelo & The Vanguard – Black Messiah (2014)

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My only disappointment was that another spiritual, sublime, superb D’Angelo & The Vanguard experience had come and gone again so quickly – and wasn’t coming to London again a week later as planned because of cancellation of the Eventim Apollo show.  The fact is that no number of live D’Angelo & The Vanguard shows will ever be enough – and I’m grateful for the glorious one I got this week.

Check out a few short snippets from the Roundhouse show here…

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When I got the post-Parliament Funkadelic-blues in April, I consoled myself by buying a ticket to D’Angelo’s Roundhouse show. The tables now turn and my consolation for next week’s cancelled D’Angelo show comes via the live P-Funk experience that awaits me in London on August 7.

Ngaiire Live & Revamped

During her show at Howler in Melbourne last week, Sydney-based soulstress Ngaiire talked of a time not so long ago when she questioned the value in continuing on her musical path. Thankfully Ngaiire found a way over that hump and is set this month to release her new single Once – with the full album Blastoma due out in September.

After hearing Ngaiire perform older and new songs to the made-happy Melbourne crowd clapping for more at the set’s end, there is no doubt in my mind of the incredibly-high value of her music in this world.

NGAIIRE live at Howler, Melbourne 2015

Ngaiire live at Howler 2015

From past experience the number and names of musicians on stage with Ngaiire at her live shows has been a fluid thing. The revamped, rejuvenated Ngaiire Camp of the Blastoma era is her on vocals and sample pads, Andrew Bruce on synth and long-time collaborator Jack Britten remaining by her side on keys and synth (and also co-producing Blastoma with Paul Mac).

Andrew Bruce w/ NGAIIRE live at The Howler, Melbourne 2015

Andrew Bruce

w/ NGAIIRE live at The Howler, Melbourne 2015

Jack Britten

My preference in any music is always for as much live instrumentation as possible – and at Melbourne’s show I surely missed the sounds of human hands on drums and bass. But truth be told when it comes to Ngaiire and her music, any combination of players on stage with her is a delightful experience for the fact that it includes Ngaiire front and centre: She who commands you to smile in awe at her powerful and emotive vocals; at the humility and humanity oozing from every word sung and spoken to the crowd; and too at her outrageouly-wonderful outfits (care of Sydney designer Amelia Vivash at Howler).

NGAIIRE live at The Howler, Melbourne 2015

All the better that the musicians and singers Ngaiire does choose to have by her side are also a highly-creative and skilled part of the musical whole – including back-up vocalists at Howler, Christian Hemara and Bille McCarthy.

w/ NGAIIRE live at The Howler, Melbourne 2015

Bille McCarthy

w/ NGAIIRE live at The Howler, Melbourne 2015

Christian Hemara

The group played songs beloved to those familiar with Ngaiire’s last album Lamentations – including Uranus (sampled below) – a duet encore performance of ABCD with Andrew Bruce on keys – and Dirty Hercules minus the original accompanying vocals of Nai Palm, who’s currently in the U.S. touring the new Hiatus Kaiyote album Choose Your Weapon, and whose achievements Ngaiire took the time to express pride in.

And finally the Melbourne crowd were treated to hearing 3 new tracks from Blastoma – including the first single Once which was co-written by Australian artist Megan Washington.

NGAIIRE live at The Howler, Melbourne 2015

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Blastoma is new music from Ngaiire. Ngaiire’s voice and what she does with it, are divine. And three album/EPs later she’s given me no reason not  to trust in the musical goodness of what she’s delivering next.

Until it comes we’ve got Ngaiire Music Past to keep us good company. Here you have a sample track from her last album in compressed mp3 format – and of course the blessed amongst us with hard copies have so many more Ngaiire & co. sounds to hear and treasure 🙂 .

‘Uranus’ by NGAIIRE –  Lamentations (2013)
Lamentations (2013) - Ngaiire

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George Clinton & Parliament Funkadelic Givin’ Up The Funk Live In Sydney

Any cats or kitties out there whippin or wailin and jumpin up and down tellin each other who the greatest contemporary funk cats in the world are can just zip it.

Those cats are George Clinton & the Parliament Funkadelic collective, of course.

I knew it a while back when the gift of the new Funkadelic album First Ya Gotta Shake The Gate came.

Funkadelic - First Ya Gotta Shake the Gate (2014)

If there was any doubt then (there wasn’t) I know it unequivocally now after having the unfunkinbelievably-crazy-amazing live P-Funk experience at Sydney’s Enmore Theatre on Wednesday night.

Parliament Funkadelic live concert - Sydney, Australia 2015

George Clinton & Parliament Funkadelic live at Enmore Theatre, Sydney 2015

Dr Funkenstein

At the helm of the Parliament Funkadelic mothership in 2015 remains Dr Funkenstein himself, George Clinton – a musical innovator and visionary who continues now in his 70’s like he always has, to put his paw prints into our present, past and future of music. On stage in the live arena George Clinton now like always, facilitates, directs, performs, sings and shakes his ass with that innately-oozing musical and manly style, panache and cool he is loved and respected for by millions of people around the world.

Parliament Funkadelic live concert - Sydney, Australia 2015

P Funk in 2015

Alongside George Clinton on Australian stages, keepin’ the funk, glorious funk alive and well as promised is a fresh, multi-generational collective of 14+ super-talented cats from P Funk days of old and new. I’m gonna name the artists I can and apologise to any I miss crediting for their awe-inspiring chops that put a smile on everyone’s faces during the entire Sydney show and long thereafter.

Ricky Rouse playing his guitar every which way; Lige Curry on bass; Benzel Baltimore on drums; Bennie Cowan on trumpet; Robert “P-Nut” Johnson and Michael “Clip” Payne on vocals; Gregory Thomas on saxophone; Danny Bedrosian on keys/synths; Garrett Shider (son of the dearly-departed P Funk guitarist/musical director from early Parliament Funkadelic days Garry Shider) on guitar; Thurteen Thurteen who sung his vocals from both on stage and amongst the crowd; and George Clinton’s grand kiddies Tonysha Nelson, Patavian Lewis and Tracey “Tra’Zae” Lewis-Clinton on vocals. Melbourne funkateers at Friday’s Parliament-Funkadelic show also got another one of the P Funk guitar legends on stage – Dewayne “Blackbyrd” McKnight.

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The spaceship might not make an appearance on stages these days but a Parliament Funkadelic show would not be that, without the appearance of one or more of its beloved characters. This time George Clinton brought along Starchild’s nemesis from days of old – the vain, “too-cool-for-everything-real” pimpster Sir Nose D’Voidoffunk (in 2015, aka Carlos McMurray). Before the night was done there was nothing for Sir Nose to do of course but succumb to the funk and get down and dirty with the best of them.

Parliament Funkadelic live concert - Sydney, Australia 2015

Parliament Funkadelic live concert - Sydney, Australia 2015

Check out this video from the Sydney show featuring Sir Nose.

George Clinton maintains Parliament Funkadelic has kept its musical currency throughout its long history by keeping a focus on the younger generation of artists who’ve formed part of the ever-changing collective at different times. True to that belief the Sydney set was opened with a medley of First Ya Gotta Shake The Gate tracks collaboratively performed by George Clinton and his younger P Funk counterparts. Check out a video here of the ‘Pole Power‘/‘Baby Like Fonkin’ It Up’/ ‘Get Low’ medley plus a [dirty mp3] sample of the album version of ‘Pole Power’ below.

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‘Pole Power’ – Parliament Funkadelic – First Ya Gotta Shake The Gate (2014)

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After a short taste of new Parliament Funkadelic music, the rest of the Sydney set was made up of the most well-known and popular songs of old like ‘Flashlight’ and ‘Give Up The Funk’. There was just so much incredible musical shit constantly happening all over the stage during the entire set that (impossibly) I wanted to hear, see and to dance with eyes closed to every single sound played.

I once read a review of a Parliament Funkadelic concert where the writer said their 90-minute set made the gig too long. Surely no true funkateer would think, feel or say that?  George Clinton & Paliament Funkadelic played brilliantly for two blissful hours in Sydney and it was but a minuscule of the vast, beloved Parliament Funkadelic catalogue. I could have funked out with them all night long and then some.

Parliament Funkadelic live concert - Sydney, Australia 2015

Many thousands of funkateers will be blessed tomorrow to get their own glorious dose of George Clinton & Parliament Funkadelic playing live at Byron Bay Bluesfest.

For those who won’t, the consolation prize is this here final video from Parliament Funkadelic’s Sydney show.

Trinity Roots: Citizen Tour Australia 2015

Direct from playing in their homeland of Aotearoa to a crowd of many thousands of loyal fans at WOMAD New Zealand, Trinity Roots have finally blessed Australia with their first-ever Australian tour.

Trinity Roots live concert Australia 2015

Trinity Roots live at Miami Marketta, Australia 2015

The very special bonus prize for people at all those shows was the chance to hear live and take home the long-awaited, fresh-off-the-press new album Citizen: the first studio album released by Trinity Roots in over a decade.

Trinity Roots - new album Citizen - 2015

Citizen (2015)

Beloved

For people in Australia in the musical know, both the Trinity Roots tour and the arrival of new Trinity Roots music was a big deal.  They count this group of artists amongst la creme de la creme of contemporary worldwide music-makers of recent history. Most Australian fans never had the opportunity to hear Trinity Roots play their beloved music live before the group disbanded and went their separate musical ways in 2005.

Since the welcome news of a Trinity Roots reunion a few years back and the making of a new album, folks in Australia (and elsewhere) had been waiting patiently with anticipation and excitement for the release of Citizen and the live tour that would follow.

It’s not surprising then that the excitement in Australian venues before Trinity Roots started playing was palpable. So too was the joyful satisfaction of the crowd during their set and long after it finished.

Trinity Roots live concert Australia 2015

Trinity Roots live at Brunswick Hotel, Australia 2015

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Trinity Roots + 1 Live

Trinity Roots in 2015 are original members Warren Maxwell (guitar/lead vocals) and Rio Hunuki-Hemopo (bass/vocals) plus new drummer/vocalist Ben Wood.

Trinity Roots live concert Australia 2015

Warren Maxwell

Trinity Roots live concert Australia 2015

Rio Hunuki-Hemopo

Trinity Roots live concert Australia 2015

Ben Wood

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Joining the trio on their Citizen tour was the talented Ed Zuccollo on keys and synth – also the maker of mini-moog sounds on some of the studio album tracks.

Trinity Roots live concert Australia 2015

Trinity Roots live at Miami Marketta 2015

Trinity Roots’ live performances went above and beyond the crowd’s high expectations. Set lists were a balanced mix of long-beloved songs from past releases (‘Sense And Cents’‘Little Things’ – ‘Egos’‘Two by Two’‘Home, Land & Sea’‘Just Like You’…) and newly-beloved ones from Citizen (‘Bully’‘Haiku’ ‘El Kaptain’…).

Pick your musical flavours: blues – soul – punk – rock – jazz – reggae or dub. You’ll find all of them throughout Trinity Roots songs of old and especially the new – blended together seamlessly into a distinctive Trinity Roots sound that is perfectly reflective of the beautiful culture and natural environment of Aotearoa –  and is totally unique in this huge, wide world of music.

Those songs are played and sung with exceptional skill and musicality and an honest, passionate outpouring of heart and soul. The angelic voice and one-of-a-kind vocal tone of lead singer Warren Maxwell and the three-part harmonies of he, Rio Hunuki-Hemopo and Ben Wood are nothing but a delight to hear live.

Trinity Roots live concert Australia 2015

Trinity Roots live concert Australia 2015What else is there to say? All in all and simply put, the live Trinity Roots experience is absolutely sublime.

Check out video footage here from the shows in Brisbane and Miami – and try to imagine how much better it sounded live and direct in person (and in different venues with varying sound quality).  The first one ‘Haiku’, with its unusual time signature, is a new one from Citizen – with ‘Sense And Cents’‘Little Things’ and ‘Egos’ from earlier Trinity Roots releases.


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Karl S. Williams

Another bonus of catching an Australian Trinity Roots show was discovering the songs and vocals of Gold Coast-based support artist Karl S. Williams. Apparently (says my friend who insisted we get to the gig on time to catch his set) “deservedly, he’s going to be huge”. If you didn’t get there early enough to hear Karl S. Williams play you have another chance next week at Byron Bay Bluesfest 2015

Karl S. Williams live at The Zoo, Brisbane 2015

Karl S. Williams live at The Zoo, Brisbane 2015

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Citizen

All of the above comments and praise about the live Trinity Roots experience apply to the new album Citizen.

Those live experiences are ones we had and loved – and hopefully will have again many more times. The studio version of Citizen is one we can have in all its beautiful musical subtleties and with its extra contributing musicians and vocalists from the lands of Aotearoa, over and over again forever hereafter – alongside previous and always-beloved releases Trinity Roots – True – Home, Land And Sea and Music Is Choice.

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Sample a couple of the more chilled-sounding tracks off Citizen below. Note like always – these are just compressed mp3 versions of the songs. You can buy the real-deal, hold-in-your-hand, hear-all-the-sounds-of-the-music album on cd now from any good independent music store or on-line – and hopefully on vinyl soonish.

new Trinity Roots album Citizen - 2015

Citizen (2015)

‘El Kaptain’ – Trinity Roots – Citizen (2015)

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‘This Road’ – Trinity Roots – Citizen (2015)

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I reckon people throughout the wide world beyond Aotearoa and Australia could find themselves a whole lot of goodness in getting to know the sounds of Trinity Roots. If you’re one of them you can check out samples of earlier Trinity Roots music here.

Little Dragon Live Amongst The Lightsabers In Melbourne

Less than a week out from tonights Grammy Awards where they’re nominated for ‘best dance/electronic album’, Sweden’s electro-soul-synthpop group Little Dragon were playing the last of a string of sold-out shows on the other side of the world in Australia.

There I caught them live on stage at 170 Russell St, Melbourne: Fredrik Wallin on bass and synth; Håkan Wirenstrand on keys and synth; Erik Bodin on drums and Yukimi Nagano on vocals – all of them surrounded by a lot of intensely-bright lights akin to Star Wars Lightsabers.

Little Dragon live in Melbourne, Australia 2015

Little Dragon live at 170 Russell St, Melbourne – February 2015

For me the lightsabers were somewhat distracting. But when I managed to refocus my attention on what I was there for: to hear Little Dragon music being played and sung live by each of those four talented artists on their respective instruments, I was happy again.

Little Dragon live in Melbourne, Australia 2015

The happiest of those Little Dragon stage moments were hearing the sounds of Fredrik Wallin playing the strings of his bass guitar rather than the synth, and the times when the musicians jammed-out on tracks.

Little Dragon live in Melbourne, Australia 2015

Many more special moments came throughout the show when I focused my visual attention on Yukimi Nagano and her beautifully-theatrical stage presence.

Little Dragon live in Melbourne, Australia 2015

Throughout all of the songs performed from each of Little Dragon’s four albums, I was reminded again of the great, great goodness of hearing the chops of those musicians in a live environment – and appreciative to get the experience again.

Little Dragon live in Melbourne, Australia 2015

Check out this footage from Little Dragon’s Melbourne show plus a sample track from their most recent and Grammy-nominated album Nabuma Rubberband.

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Little Dragon - Nabuma Rubberband (2014)

Nabuma Rubberband (2014)

‘Killing Me’ – Nabuma Rubberband (2014)

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You can also watch videos from Little Dragon’s 2014 Sydney show and hear more Little Dragon sample tracks here.

Flying Lotus Live In “Melben”

After flight delays from Wellington on Friday, folks in Melbourne had a long wait into the early hours of Saturday morning for their highly-anticipated live Flying Lotus experience.

By the end of his show that long wait seemed worth it for both the die-hard FlyLo disciples with their arms stretched out towards him on the stage during most of his set, and the curious appreciators of his music artistry alike.

Flying Lotus live at 170 Russell St, Melbourne 2015

Flying Lotus live at 170 Russell St, Melbourne

With the use of some live tools, the art of making his studio music sound fresh, alive and entertaining on stage with just a laptop and some controls, is one that Flying Lotus (aka Steven Ellison) appears to have mastered well.

Flying Lotus live at 170 Russell St, Melbourne 2015

Live Tools of the Electronic Art
A Visual Extravaganza

The most fundamental of those tools in bringing his music to life was the mesmerizing live 3D lighting and animation that surrounded Flying Lotus throughout his performance. That spectacular alone, made the live show worth experiencing.

Flying Lotus live at 170 Russell St, Melbourne 2015

Add to that the mask of glowing eyes worn by Ellison for the first part of his set, and the audience was well and truly in fantasy-land.

Flying Lotus live at 170 Russell St, Melbourne 2015

Movement

Witnessing Flying Lotus behind his laptop moving his body, raising his arms high to the sky and getting off on the music he was playing, helped the audience to get off on it themselves.

Flying Lotus live at 170 Russell St, Melbourne 2015

Diverse & Fresh Sounds

Creating a set of music melding older beloved tracks from the Flying Lotus discography, songs from his most recently released album You’re Dead! as well as some new ones all together, seemed to satisfy the tastes of everyone. His alterations to the original sound of those tracks, made them sound fresh in the live arena.

Flying Lotus live at 170 Russell St, Melbourne 2015

Sing It / Rap It

Picking up a microphone to sing or rap those parts of tracks recorded in the studio obviously adds that sought-after extra-special living element to the music. Flying Lotus did this a number of times at his Melbourne show – including singing his ethereal accompanying vocals on ‘Coronus the Terminator’ and rapping Captain Murphy’s part on  ‘Dead Man’s Tetris’.

Flying Lotus live at 170 Russell St, Melbourne 2015

Flying Lotus live at 170 Russell St, Melbourne 2015

Relate

For an artist to observe some native idiosyncratic thing about the people of the place they’re performing in, helps an audience to relate and feel connected to that artist performing in their place.  At his Melbourne show Flying Lotus achieved that by expressing both bemusement and amusement about the Australian way of pronouncing the city as “Melben” rather than “Melburn” or “Melborn”.

Flying Lotus live at 170 Russell St, Melbourne 2015

Tell a Story

An artist relating to the audience some more by telling a story about an experience they had when they last visited that place, makes that connection stronger again. Flying Lotus’ Melbourne story was about the gift of DMT given to him by a punter last time around, pre-empting an on-the-spot gift to him of something from an audience member this time around.

Flying Lotus live at 170 Russell St, Melbourne 2015

Make More Music

After making those live connections with his Melbourne audience, Flying Lotus got back behind his laptop and knobs to finish the show with more audiovisuals of the fantastical kind – and the job was done – the electronic art in the live arena mastered – and the people moved.

Flying Lotus live at 170 Russell St, Melbourne 2015

Check out these video snippets of the live Flying Lotus experience in Melben + samples of his studio works below if you’re not already familiar with them.



Flying Lotus - You're Dead! (2014)

You’re Dead! (2014)

 ‘Siren Song’ – Flying Lotus feat. Angel Deradoorian – You’re Dead!

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Flying Lotus - Until The Quiet Comes (2012)

Until The Quiet Comes (2012)

‘Phantasm’ – Flying Lotus feat. Laura Darlington – Until The Quiet Comes

 

Flying Lotus live at 170 Russell St, Melbourne 2015

Zalama Crew – Best New Colombian Fusion Music Find

I was going to give La Feria de las Flores events in Medellin a miss this year.

Changing my mind and going to Sunday’s Negra Noche (‘Black Night’) – part of the Parque Cultural Nocturno program in La Feria de las Flores – was a blessed thing for the three new musical discoveries I made.

1. ZALAMA CREW

One of those new finds is Zalama Crew – my first taste of fusion music from the Colombian city of Cali, and my best new Colombian music find this time around in Colombia.

Zalama Crew live at Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Zalama Crew at La Feria de las Flores

Zalama Crew at Negra Noche were 9 guys:  4 singers/emcees (Dr Rata; Bing; Maik Cel; Osound); Bass (Andres); Guitar (Frank); Drums (Alvaro); DJ CronicVJ Paul Dub.

Zalama Crew - La Negra Noche - 2013 - www.beaveronthebeats.com

Note – nine band members on stage and no live horns (their usual sax/flute player missing) – and I didn’t even notice until it was over.  That’s a good sign.  The music was so  full and engaging that I didn’t miss the live horns like I usually would.

Zalama Crew dub themselves ‘urban world music lovers’ – a good description given the diverse mix of music they create. I heard so many different flavours in the mix – all blended together seamlessly and played with such style – Hip Hop, Electrónica, Jazz, Drum & Bass, Bossa Nova, Cumbia, Punk, Soul/R&B, Salsa, Rock, Dub, Dancehall & Ragga.  I might have forgotten some!

Zalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

The performance of this collective was really energetic and engaging – especially with the individual and combined vocals and raps of the 4 different singers and MCs moving around the stage.

Zalama Crew concert in Medellin, Colombia 2013

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Those singers and MCs + the interesting sounds mixedup by DJ Cronic + the instrumentation &  musicianship of the band  = a really cool mix of diverse and original sounds.

Zalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsZalama Crew live @ Negra Noche del Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

I am loving all the VJ’s in the Colombian fusion bands I’ve been catching live – and VJ Paul Dub from Zalama Crew was no exception.  Very cool, interesting, beautiful visuals.

Zalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsZalama Crew live @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

I loved most of the songs Zalama Crew played at Negra Noche – and my body wanted to dance.  There were a couple of the slower songs I was less into, but the performance was still stellar and kept my eyes and ears glued to the stage every moment.

Zalama Crew were simply awesome.

I have Zalama Crew’s EP Everyday Fight to take home with me and check out – but I imagine the live experience of this group is where the most magic is at– like I always hope it will be with any musician.

Short video of Zalama Crew’s show here…

 

On top of my Zalama Crew find – Negra Noche introduced me to 2 other phenomenal bands – 1 fusion band and 1 band as traditional as they come.

2. BIG BAND TENNESSEE JAZZ UNIVERSITY

The Big Band Tennessee Jazz University – a big band from the University of Tennessee in the U.S. – put on an incredible show of funk and jazz music.  The quality of the musicianship was stellar, as was the fun and energetic stage show.

Big Band Jazz Tennessee University @ la Negra Noche de Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Big Band Jazz Tennessee University

Super short video from the end of the Big Band Jazz Tennessee University concert here…

3. LAS ALEGRES AMBULANCIAS

The 3rd phenomenal act I found, closing Negra Noche, was Las Alegres Ambulancias.

Las Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLas Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Las Alegres Ambulancias hail from San Basilio de Palenque, a town on the Colombian Caribbean Coast.  The Palenqueras are special in that they have completely preserved the African traditions and language originaly bought to that region of Colombia with the slaves during the Spanish conquest.

The music of Las Alegres Ambulancias was traditional Palenquera music, pure as they come.

Las Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLas Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLas Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

It was a really special show for me, and everyone else in the audience, especially proud Palenqueras.

Negra Noche del Parque Cultura Nocturno 2013 - Medellin - Beaver on the BeatsLa Negra Noche del Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

And note Las Alegres Ambulancias’ beautiful female bass player:

Las Alegres Ambulancias @ Negra Noche - Parque Cultura Nocturno 2013 - Medellin - Beaver on the Beats

Video of Las Alegres Ambulancias’ show here…

Ever so happy I took myself out to friendly, good vibes, open air Negra Noche to experience 3 incredible shows by 3 special bands new to me.

Zalama Crew + Big Band Tennessee Jazz University + Las Alegres Ambulancias – muchas gracias!